February 28, 2023 5:00 am The Music Room

Saturday, February 18, 2023 . 8PM

*Please navigate our seating chart by either using the “+/-“ symbol in the lower left corner or right click and drag the chart to your liking.*


Stephane Wrembel is quite simply one of the finest guitar players in the world.  The breadth and range of his playing and compositions are unmatched.  This prolific musician from France has been releasing a steady stream of music since 2002 and has truly made his mark as one of the most original guitar voices in contemporary music.  David Fricke at Rolling Stone Magazine called him “a revelation.”

His live performance is unparalleled.  Wrembel has headlined Lincoln Center, Carnegie Hall, The Town Hall in NYC and The Lyon Opera House in France, toured with master violinist Mark O’Connor and shared stages with everyone from Sam Bush, Stochelo Rosenberg, Esperanza Spalding, and Al Di Meola.  Wrembel has dazzled audiences at such major gatherings as the Montreal Jazz Festival, Rochester International Jazz Festival, Django Reinhardt Festival in France, Ellnora The Guitar Festival, Caramoor Jazz Festival presented by Jazz at Lincoln Center and many others.  He has toured Canada, France, Israel, UK, India and Nigeria.  In 2003, Wrembel created his own annual event, Django A Gogo Festival, where he and others influenced by Reinhardt celebrate the Sinti guitar style.  The Gitane guitar company has even named a model after him.

Born in Paris and raised in Fontainebleau, the home of Impressionism and Django Reinhardt, Wrembel first studied classical piano, beginning at the age of four.  But in his mid-teens, he discovered that he had an affinity for guitar.  A Pink Floyd fan, he “spent hours learning David Gilmour’s style,” he said.  “So I had a classical background, a passion for rock music, and then I found out about Django.  I fell in love with the very strong impressionist feel in his music.”

Reinhardt was a Sinti (a Roma group from Western Europe) and his style was rooted in Sinti music.  Not a Gypsy himself, Wrembel immersed himself in Sinti culture, spending “six, seven years going to the camps, playing for Gypsy weddings, parties, playing with Gypsy friends,” he said.  “By going there I started learning the atmosphere of what it really means to play Sinti-style guitar.  I learned from the masters, from Angelo Debarre and Serge Krief, and I played in the campsites a lot.  That’s how you learn this music, because it’s a specific to a culture.  Music is not only the notes.  Without the culture, something is missing.”

And while Wrembel is now considered one of the preeminent master guitarists in the world specialized in the Django Reinhardt style, he avoids the label “Gypsy Jazz” commonly used for Reinhardt’s music.  While heavily influenced by Reinhardt, Wrembel’s music incorporates jazz, blues, classical, swing, flamenco and rock.  All of these influences come together as a genre identifiable only as Stephane Wrembel.

Wrembel enrolled in Berklee College of Music in 2000 in Boston and graduated summa cum laude two years later. In 2002, he released his debut album, Introducing Stephane Wrembel. Vintage Guitar Magazine praised the recording as “pure dazzle and dash, a stunning storm of notes that blankets the melody in a rain of arpeggiated notes.”

Wrembel moved to New York in 2003.  Before long, word of this remarkable European transplant began spreading among fellow musicians and denizens of the teeming New York music scene.  Both Gypsy Rumble (2005), which includes mandolin legend David Grisman among its guests, and 2006’s Barbes-Brooklyn found favor with critics.  Time Out New York wrote that the latter “shows off Wrembel’s limber chops in a variety of settings, including ebullient French Gypsy swing, moody ballads, sultry raga-influenced numbers and a lithe cover of Mongo Santamaria’s ‘Afro Blue.’”  Oscar-winning director Woody Allen used one of the album’s tracks, “Big Brother,” in his 2008 film “Vicky Cristina Barcelona.”  Wrembel’s fourth album, Terre Des Hommes, was released the same year.

Wrembel’s breakthrough came with his original composition “Bistro Fada,” a Django-influenced swinging waltz on his fifth album Origins that became the theme song for Woody Allen’s 2011 Oscar®-winning film, “Midnight In Paris.”  It was included on the Grammy®-winning soundtrack for the film.  Wrembel performed the irresistibly catchy “Bistro Fada” live during the 2012 Academy Awards® ceremony with an all-star ensemble led by Hans Zimmer.

In 2014, Wrembel delivered Dreamers of Dreams, recorded outside of New York City with his band which included bassist Dave Speranza, rhythm guitarist Roy Williams, and drummer Nick Anderson.  In 2016, Wrembel released two masterfully recorded live albums: Live In India and Live In Rochester.  Wrembel is extremely popular in both of those locales.

In March of 2017, Wrembel released The Django Experiment I and The Django Experiment II to coincide with the Django A Gogo 2017 at New York City’s famed Carnegie Hall.  Recorded with long-time collaborators Thor Jensen on guitar, Ari Folman-Cohen on double bass, Nick Anderson on drums, and Nick Driscoll on saxophone and clarinet performing live, with no headphones or tracking, in a setting conducive to improvisation with each musician pushing their own boundaries to evoke new interpretations of Reinhardt’s music as well as songs by other jazz and gypsy jazz composers.  These were followed these with 2018’s The Django Experiment III, 2019’s The Django Experiment IV and 2020’s The Django Experiment V, which features special guest Daisy Castro on violin.  The albums have garnered rave reviews including coverage in Jazz Times, Downbeat, Acoustic Guitar Magazine, Guitar World, New York City Jazz Record, Jazz Weekly, All About Jazz, and more.

In 2019, Wrembel produced Les Yeux Noirs, the debut CD by Simba Baumgartner, Django’s great-grandson.  Baumgartner, who lives on a gypsy camp in France, was one of the special guests at Django A Gogo 2019.

In October of 2019, Wrembel released Django L’Impressionniste putting the spotlight on 17 little-known solo pieces Reinhardt recorded between 1937 and 1950.  Wrembel is the first interpreter who has performed all of these solo pieces and collected them in one definitive masterwork.  It is available digitally and on double-vinyl with liner notes by David Fricke.

In 2020, he recorded the score for the Woody Allen movie, “Rifkin’s Festival.”  Unfortunately, the release of the movie was postponed due to the Covid 19 pandemic.  Always in perpetual motion, Wrembel spent a great deal of time in 2020 meticulously transcribing the 17 songs on Django L’Impressionniste, teaching and conducting a select few virtual concerts and workshops.

In January of 2021, Wrembel released The Django Experiment VI as he put the finishing touches on his book of transcriptions.  Beautifully printed and bound, Django L’Impressionniste will be released on April 22, 2021.

Wrembel revels in transcending and expanding.  “I just play my own music,” he says.  “I like to believe that it is beyond any one genre and that there is something in it for everyone.  It’s not only for the rock music lover, or for the Django lover; it’s not only for the jazz lover.  It’s for the music lover.”

Why is there a difference in price for available seats at The Music Room?

All seating at The Music Room is acquired with a first come, first served basis approach.  The Music Room provides all patrons with a live musical experience above and beyond your average concert hall, and supporting this vision are the 4 tiers of available seats at The Music Room.  With a nod to classic record sales certification, the 4 tiers are:  Diamond, Double Platinum, Platinum, and Gold.  Seats range in price based on several factors including artist availability and distance to the stage.

Do you have the same number of seats for each tier?

No.  The Diamond tier of seats only has 12 seats available.  These seats are 4 top rounds located right at the foot of the stage.  You cannot get any closer to the artist than these 12 seats.  These are considered premium seats and are usually purchased by the most ardent fans.

The Double Platinum sections features 4 top square tables and one special 2 top rectangle, and there are 14 seats available.  Still very close to the stage, these seats provide an exceptional view and personal experience.  Table no. 7 is a 2 top rectangle that sits just to the right of the stage and back approximately 6 feet.  It is an extremely popular table.

The Platinum section of seats has a mixture of 4 top squares, two 3 high top rounds, and 9 drink rail seats that are bar height.  The total number of seats in the Platinum section is 37.  These are all excellent seats and reside in the main room.  Depending on a viewer’s personal taste, a table, a high top, or a drink rail might be the right choice, but they are all fabulous and unobstructed.

Gold seating is available in the bar area and can be considered first come, first serve general admission.  Most of the seats are unobstructed but depending how patrons sit at the bar or high tops, there might be a slight obstruction.   Standing room is permitted in the Gold section. The sound is excellent and most Gold level tickets are purchased by patrons that want to be near the bar specifically or by patrons wanting to be further away from the stage by design.  Please refer to our pictures to determine if this area is what you are looking for.  There are 24 Gold seats available and or Standing Room.

*TICKET DISCLAIMER:  The Music Room has a NO REFUND POLICY.  In the event of a cancellation/reschedule, The Music Room will always honor the purchased ticket for the same seat and same artist at the original price.  If a show is cancelled and not rebooked, ticket holder will be issued a credit towards any future show/event at The Music Room.  Ticket holder assumes all risks, hazards, and dangers.  Event subject to change.  No ticket required for entry.  Please bring I.D*