*Please navigate our seating chart by either using the “+/-“ symbol in the lower left corner or right click and drag the chart to your liking.*
“Music chose me. I vividly recall trying to sing like Louis Armstrong’s ‘Hello Dolly’ in our Brooklyn apartment. It came on the radio often. I knew I was small, but when I researched what year this version was on the charts, I was floored with the realization that I was two years old!” ~Joanna Connor
And so, Joanna Connor’s musical odyssey began. The soundtrack of her childhood in her adopted hometown of Worcester, Massachusetts was diverse and bounteous. The Blues was part of the lexicon. Joanna’s favorite record as a child was Taj Mahal’s “Take A Giant Step/ The Old Folks At Home”.
Seeing Buddy Guy perform at a local university at the age of 10 left a paramount impression. Playing saxophone, guitar and singing through her school years were her passions, and eventually led to her performing professionally at age 17. But her hunger to become a guitarist first and foremost and her desire to immerse herself in the Blues, propelled her to move to Chicago in 1984.
Watch this incredible video of Joanna Connor!
“It was my university. went out every night of the week. Within a month I had my first gig with the legendary Johnny Littlejohn. A few weeks later I became a part of Dion Payton and the 43rd St Bluesband. We were the house band at the Checkerboard Lounge, on the south side of Chicago, then owned by Buddy Guy. That’s when my schooling kicked into overdrive. I played with Buddy, Junior Wells, Otis Rush, Sammy Lawhorn, Pinetop Perkins, Hubert Sumlin, Magic Slim, Son Seals, Lonnie Brooks, Koko Taylor, just to name a few. I was blessed.”
Joanna went on to form her own band in 1988 with weekly appearances at the Kingston Mines in Chicago. Her formidable guitar playing, and distinctive soul-churning vocal ability caught the attention of Blind Pig Records, who released her debut album “Believe It” in 1990.
National and International accolades in the press and radio media resulted into a decade of world tours, a dozen recordings on Ruf Records, MC Records and others, a documentary on Germany’s WDR Television, and a multitude of TV appearances and radio features.
Joanna and her band shared stages with Blues, Rock and Jazz greats, including Luther Allison, BB King, Screaming Jay Hawkins, Robben Ford, Danny Gatton, Robert Cray, Jimmy Page, ZZ Top, Joe Cocker, Etta James, and others.
Joanna signed endorsement deals with Gibson Guitars, Victoria Amps and Orange Amps.
In 2005, she took a hiatus from touring to spend time at home raising her young daughter. Two 15-plus-year residencies at the House of Blues and The Kingston Mines, honed Joanna’s considerable guitar and vocal chops even further.
While working continuously in Chicago, a handful of videos of her incendiary slide guitar solos went viral creating quite a sensation and garnering attention from media and established musicians alike. Joe Bonamassa sought her out and offered to produce the kind of record he felt Joanna had always had in her and should deliver to the world. 4801 South Indiana is this record, a blues record that delivers all the raw emotion, passion, and fire that made the Blues so compelling from its inception. Bonamassa did not merely produce, arrange, and play on the record, he enabled and inspired Joanna to pull from deep within all of what her life in music had given her. While steeped in tradition, the recording is no museum piece, it is alive and it is kicking, once-in-a-lifetime Blues.
Why is there a difference in price for available seats at The Music Room?
All seating at The Music Room is acquired with a first come, first served basis approach. The Music Room provides all patrons with a live musical experience above and beyond your average concert hall, and supporting this vision are the 4 tiers of available seats at The Music Room. With a nod to classic record sales certification, the 4 tiers are: Diamond, Double Platinum, Platinum, and Gold. Seats range in price based on several factors including artist availability and distance to the stage.
Do you have the same number of seats for each tier?
No. The Diamond tier of seats only has 12 seats available. These seats are 4 top rounds located right at the foot of the stage. You cannot get any closer to the artist than these 12 seats. These are considered premium seats and are usually purchased by the most ardent fans.
The Double Platinum sections features 4 top square tables and one special 2 top rectangle, and there are 14 seats available. Still very close to the stage, these seats provide an exceptional view and personal experience. Table no. 7 is a 2 top rectangle that sits just to the right of the stage and back approximately 6 feet. It is an extremely popular table.
The Platinum section of seats has a mixture of 4 top squares, two 3 high top rounds, and 9 drink rail seats that are bar height. The total number of seats in the Platinum section is 37. These are all excellent seats and reside in the main room. Depending on a viewer’s personal taste, a table, a high top, or a drink rail might be the right choice, but they are all fabulous and unobstructed.
Gold seating is available in the bar area and can be considered first come, first serve general admission. Most of the seats are unobstructed but depending how patrons sit at the bar or high tops, there might be a slight obstruction. Standing room is permitted in the Gold section. The sound is excellent and most Gold level tickets are purchased by patrons that want to be near the bar specifically or by patrons wanting to be further away from the stage by design. Please refer to our pictures to determine if this area is what you are looking for. There are 24 Gold seats available and or Standing Room.
*TICKET DISCLAIMER: The Music Room has a NO REFUND POLICY. In the event of a cancellation/reschedule, The Music Room will always honor the purchased ticket for the same seat and same artist at the original price. If a show is cancelled and not rebooked, ticket holder will be issued a credit towards any future show/event at The Music Room. Ticket holder assumes all risks, hazards, and dangers. Event subject to change. No ticket required for entry. Please bring I.D*