*Please navigate our seating chart by either using the “+/-“ symbol in the lower left corner or right click and drag the chart to your liking.*
Born into a musical family in 1957 in Los Angeles, James Armstrong had blues music in his blood from the very start. His Mom was a blues singer, his Dad played jazz guitar. Armstrong formed his first band in the 7th grade, and by age 17 he was touring the country.
He would start making waves on the local California blues circuit by his 20s, becoming the youngest member of Smokey Wilson’s band. In the 1980s, James was a founding member of the band Mama Roo and received his first recording contract for Crescendo Records.
In the early 90s, James got plenty of exposure from his musical influences, including Albert Collins, and Sam Taylor. Shortly after that, he was discovered and signed by HighTone Records owner Bruce Bromberg, who had discovered and signed Robert Cray and Joe Louis Walker.
Armstrong was about to tour with his critically acclaimed first album, Sleeping with a Stranger, when tragedy struck. The events surrounding a home invasion left Armstrong without the use of his left hand and arm, including permanent nerve damage. This threatened to end his career forever; but thanks to the support of friends, fans and the blues community, Armstrong came back two years later with a second album, Dark Night.
What Armstrong lost in the tragedy he gained in “a whole new respect for the music itself, the power in slow blues, how the silences between the notes are as important as the notes.” Armstrong also turned his efforts to perfecting his songwriting, vocal and slide guitar skills, all the while developing his gift for turning hardship into song. The results were a third album, Got It Goin’ On. The album garnered two Blues Music Award nominations for “best blues guitarist” and for “best song of the year” with “Pennies and Picks.”
James was also noticed by the music industry, having songs in three major motion pictures. “Bank of Love” was used in Hear No Evil, with Martin Sheen and Marlee Matlin. “Two Sides to Every Story” was featured in Speechless with Michael Keaton and Geena Davis, and also in The Florentine with Jeremy Davies and Luke Perry.
Over the years, Armstrong has performed in many countries throughout North America, Europe, Scandinavia, Asia and the Middle East. Armstrong has shared the stage with many artists like Keb Mo, Coco Montoya, Chaka Kahn, Tommy Castro, Shemekia Copeland, Tab Benoit, Charlie Musselwhite, Walter Trout, Doug MacLeod, Roy Brown, Ricky Lee Jones, Jan and Dean, Mitch Mitchell, and many more.
Armstrong continues to tour extensively. He pays tribute to the past with the traditional blues, and his unique songwriting skills. Using both slide and pick, James’ guitar playing is some of the smoothest in the business. James regularly brings his vibrant and welcoming live shows to people around the globe.
Why is there a difference in price for available seats at The Music Room?
All seating at The Music Room is acquired with a first come, first served basis approach. The Music Room provides all patrons with a live musical experience above and beyond your average concert hall, and supporting this vision are the 4 tiers of available seats at The Music Room. With a nod to classic record sales certification, the 4 tiers are: Diamond, Double Platinum, Platinum, and Gold. Seats range in price based on several factors including artist availability and distance to the stage.
Do you have the same number of seats for each tier?
No. The Diamond tier of seats only has 12 seats available. These seats are 4 top rounds located right at the foot of the stage. You cannot get any closer to the artist than these 12 seats. These are considered premium seats and are usually purchased by the most ardent fans.
The Double Platinum sections features 4 top square tables and one special 2 top rectangle, and there are 14 seats available. Still very close to the stage, these seats provide an exceptional view and personal experience. Table no. 7 is a 2 top rectangle that sits just to the right of the stage and back approximately 6 feet. It is an extremely popular table.
The Platinum section of seats has a mixture of 4 top squares, two 3 high top rounds, and 9 drink rail seats that are bar height. The total number of seats in the Platinum section is 37. These are all excellent seats and reside in the main room. Depending on a viewer’s personal taste, a table, a high top, or a drink rail might be the right choice, but they are all fabulous and unobstructed.
Gold seating is available in the bar area and can be considered first come, first serve general admission. Most of the seats are unobstructed but depending how patrons sit at the bar or high tops, there might be a slight obstruction. Standing room is permitted in the Gold section. The sound is excellent and most Gold level tickets are purchased by patrons that want to be near the bar specifically or by patrons wanting to be further away from the stage by design. Please refer to our pictures to determine if this area is what you are looking for. There are 24 Gold seats available and or Standing Room.
*TICKET DISCLAIMER: The Music Room has a NO REFUND POLICY. In the event of a cancellation/reschedule, The Music Room will always honor the purchased ticket for the same seat and same artist at the original price. If a show is cancelled and not rebooked, ticket holder will be issued a credit towards any future show/event at The Music Room. Ticket holder assumes all risks, hazards, and dangers. Event subject to change. No ticket required for entry. Please bring I.D*