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It’s been said that you don’t seek out the blues, it seeks out you. For guitar virtuoso Albert Cummings, no words could ring more true. Cummings’ masterful guitar wizardry has drawn comparisons to iconic axe legends Albert King, Freddie King, Jimi Hendrix and even his own musical inspiration, Stevie Ray Vaughan. He has graced the stage with such esteemed luminaries as Buddy Guy, Johnny Winter, Susan Tedeschi, Sheryl Crow, and B.B. King, who called Cummings “a great guitarist.” He also has worked with renowned industry producers Jim Gaines and David Z.
Freshly signed to Provogue Records, a division of Mascot Label Group, Cummings joins the elite ranks of such guitar virtuosos as Joe Bonamassa, Walter Trout and Eric Gales. “It’s such an honor to be part of a label that has helped shape the careers of the greatest guitar players our world has ever known,” states Cummings. “I’m confident that Provogue is the right home for me and I look forward to working with them and getting some new music to the loyal supporters that I have.”
With mesmerizing extended guitar jams, Cummings’ Fender Strat sings while he takes you on a twisting, turning blues roller coaster. Featuring a tight, pristine tone and strong vocals to match, the seasoned entertainer has incorporated the influence of his musical idols while maintaining a distinct, genre-bending style and sound all his own. With six studio albums, two live records and a new label, Albert Cummings is back and better than ever with his latest release.
Raised in Massachusetts and trained as a master builder, Cummings learned basic guitar chords from his father but then became intrigued with banjo and bluegrass when he was 12. As a teenager, however, he discovered Stevie Ray Vaughan’s early material and was astounded by his mastery. After attending a 1987 Stevie Ray Vaughan/Double Trouble concert during college, Cummings’ entire world exploded as he turned his attention back to guitar, and he never looked back.
It wasn’t until he was 27 that Cummings publicly played with a band for the first time – and that was all it took. He was off and running with his band, Swamp Yankee, serving up the blues throughout the Northeast. After a stunning display of his guitar prowess at a Northeast Blues Society open jam, Cummings qualified to compete in the Blues Foundation’s 1999 International Blues Challenge. A year later, he released his first album with Swamp Yankee, The Long Way, an astonishing, critically acclaimed debut. Cummings’ skill and intensity garnered attention from Double Trouble members Chris Layton and Tommy Shannon, who were so impressed with this relative newcomer that they produced and performed on his first solo record, From the Heart (2003). Reese Wynans also appeared on the record, and it was the first time that Double Trouble recorded an entire album since Vaughan’s untimely passing.
After signing a multi-record deal with Blind Pig Records, Tommy Shannon would go on to work with Cummings on his 2004 inaugural release for the label, True To Yourself. Cummings recorded three more stellar albums on the Blind Pig Records label, Working Man (2006), Feel So Good: Albert Cummings Live (2008) and Someone Like You (2015). In 2012, he also self-released the country-rock-blues flavored winner, No Regrets, incorporating multiple musical categories and highlighting his unique versatility.
Following the success of his first live record, a second was self-released in 2017, Live At The ’62 Center. It was recorded in his hometown of Willamstown, Massachusetts, and its incredible reception garnered Cummings a Blues Music Award nomination for Blues Rock Album.
Albert Cummings pours his heart and soul into everything he does, and his impassioned, all-inclusive style speaks directly to music lovers everywhere. His dynamic, engaging personality combined with blues musicianship at its finest has created an enduring, loyal fan base worldwide.
Praise for Albert Cummings:
“[The Long Way (2000) is a] barrage of guitar pyrotechnics that calls to mind a grand mix of the styles of past masters like Albert King, Freddie King, Stevie Ray Vaughan and Jimi Hendrix.” ~Bluesprint Magazine
“[On True To Yourself (2004)] he attacks his axe with unbridled ferocity and deep soulfulness, his depth and expression are matched only by his terrifying technique and tone.” ~Guitar One
“This recording [Working Man (2006)] is the calling card of a blues star who has arrived. Cummings’ guitar work is sizzling. This is one of the top blues albums of 2006.” ~Billboard
“Though Albert always walks a fine line between rock and blues, he demonstrates effortlessly [on the live recording, Feel So Good (2008)] that the blues makes everybody feel great.” ~Bostonblues.com
“The blues is best served up live, with an enthusiastic audience and a killin’ band, and that’s exactly what guitarist Albert Cummings does on Feel So Good. Cummings effortlessly shifts from chimney subdued stylings to raucous roadhouse raunch to soaring yet stinging lead lines, driving his audience to frenzy in all the right places.” ~Guitar Edge Magazine
“[Feel So Good is] one of the best live albums recorded in a long time.” ~Music Connection
“Cummings’ first live album [Feel So Good] provides the perfect showcase for the fiery guitarist’s axe-handling skills and enormous onstage charisma.” ~Blurt
“All the tracks on [No Regrets (2012)] pop with Cummings’ emotive style not just in terms of what he’s producing, slamming and bending his Strat’s six strings, but also in terms of where he pushes his simple yet soulful voice. The Stevie Ray tonality and combustion is not hard to hear in Cummings’ playing, but make no mistake—he’s not a Vaughan clone. Stylistically, compositionally, lyrically, and vocally he is very much a distinct entity.” ~The Phantom Tollbooth
“[On Someone Like You (2017)] Albert gets into Robben Ford territory soloing effortlessly over the rhythm changes, these forays into jazz-blues are a real treat and leave the listener longing for more.” ~Blues Rock Review
Why is there a difference in price for available seats at The Music Room?
All seating at The Music Room is acquired with a first come, first served basis approach. The Music Room provides all patrons with a live musical experience above and beyond your average concert hall, and supporting this vision are the 4 tiers of available seats at The Music Room. With a nod to classic record sales certification, the 4 tiers are: Diamond, Double Platinum, Platinum, and Gold. Seats range in price based on several factors including artist availability and distance to the stage.
Do you have the same number of seats for each tier?
No. The Diamond tier of seats only has 12 seats available. These seats are 4 top rounds located right at the foot of the stage. You cannot get any closer to the artist than these 12 seats. These are considered premium seats and are usually purchased by the most ardent fans.
The Double Platinum sections features 4 top square tables and one special 2 top rectangle, and there are 14 seats available. Still very close to the stage, these seats provide an exceptional view and personal experience. Table no. 7 is a 2 top rectangle that sits just to the right of the stage and back approximately 6 feet. It is an extremely popular table.
The Platinum section of seats has a mixture of 4 top squares, two 3 high top rounds, and 9 drink rail seats that are bar height. The total number of seats in the Platinum section is 37. These are all excellent seats and reside in the main room. Depending on a viewer’s personal taste, a table, a high top, or a drink rail might be the right choice, but they are all fabulous and unobstructed.
Gold seating is available in the bar area and can be considered first come, first serve general admission. Most of the seats are unobstructed but depending how patrons sit at the bar or high tops, there might be a slight obstruction. Standing room is permitted in the Gold section. The sound is excellent and most Gold level tickets are purchased by patrons that want to be near the bar specifically or by patrons wanting to be further away from the stage by design. Please refer to our pictures to determine if this area is what you are looking for. There are 24 Gold seats available and or Standing Room.
*TICKET DISCLAIMER: The Music Room has a NO REFUND POLICY. In the event of a cancellation/reschedule, The Music Room will always honor the purchased ticket for the same seat and same artist at the original price. If a show is cancelled and not rebooked, ticket holder will be issued a credit towards any future show/event at The Music Room. Ticket holder assumes all risks, hazards, and dangers. Event subject to change. No ticket required for entry. Please bring I.D*